Liliana Farber (1983, Uruguay) is a visual artist based in Brooklyn. Using custom software and data collected from commercial digital platforms, she examines histories and design ramifications of protocols that inform broad perceptions of space and time. Farber is a recipient of the Lumen Prize for Art and Technology, the Network Culture Award from Stuttgarter Filmwinter, and Artis Grant. She has exhibited at The National Museum of Contemporary Art (Portugal), The National Museum of Fine Arts (Chile), The National Museum of Visual Arts (Uruguay), Ars Electronica (Austria), Arebyte Gallery (London), and WRO Media Art Biennale (Poland). Farber’s work has been featured in OnCurating, MIT’s Leonardo, Erev-Rav, Haaretz, and El Pais. Farber holds an MFA from Parsons School of Design (New York), Postgraduate Fine Art Studies from Hamidrasha School of Art (Israel), and a B.A from O.R.T University (Uruguay).

Selected texts
 

Algorithmic Extremes in Terram in Aspectu

by Park C. Myers, published by OnCurating, issue 50 (2021)

Digital Oceans & Algorithmic Castaways
by Liliana Farber, published by Leonardo, MIT Press, Volume 55, Issue 1, February 2022

The Hidden, in Plain Sight: The Work of Liliana Farber

interview by Eric Hurtgen for New Rural (2021)

From the Desk of Liliana Farber
interview by Artis (2021)


 

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